Taxi to the Dark Side

With this extraordinary film director Alex Gibney makes a convincing and well researched case against the acts of torture, abuse and humiliation committed by the U.S. military against political prisoners in Iraq, Afghanistan and Guantanamo Bay.




A major sub-plot is the story of Dilawar, an Afghan taxi driver who ended up dying from injuries suffered while he was held in Bagram, a former Soviet prison coverted into a U.S. detention center for suspected terroists. However, the film explains how Dilawar was actually an innocent man turned in by an actual terroist seeking to throw investigators off his trail. One expert explains how only about 1% of the detainees are actual terroists and that the vast majority were not even arrested by the U.S. military. But rather were turned in by Pakastani and Afghani bounty hunters seeking financial compensation.

The numerous forms of abuse inflicted on these foreign detainees is depicted in gruesome detail. The methods of torture included not only water boarding but various means of sexual humiliation such as having women's panties placed on their heads, forced masturbation and female military officers caressing them while whispering "your mother is a whore" into their ears. The ultimate goal was inflicting a complete mental, physical and emotional breakdown on the prisoners. Other tactics used were sleep depravation achieved by handcuffing detainees to the ceiling for days at a time and the sort of brutal physical assaults that led to the death of the innocent Dilawar.

Of course, it was the low ranking soldiers who ended up facing punishment when these acts of illegal abuse were discovered. But the film makes it very clear that they were simply following orders handed down from the highest levels of the Bush administration. Particularly at fault were chicken hawks Cheney and Rumsfield. In fact, it was Cheney himself who gave this doc its title when he referred to how the U.S. must go over to the "dark side" in its military and intelligence methods.

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Last Days

Gus Van Sant's Last Days is a film about the death of Kurt Cobain. While the name of the main character has been changed from Kurt to Blake and the setting of the suicide changed from a greenhouse in Seattle to a greenhouse in upstate New York, there's no mistaking this film is the product of Van Sant's imagination pursuing the final, lonely moments of the great '90s icon. Rock biopic fans seeking a traditionally gratifying plot should run as fast as they can from this movie and see Rock Star or Sid and Nancy instead; Gus Van Sant's methodology is all about the slow, oppressive creep of time.




One shot lingers excruciatingly long on some random foliage outside Blake's (Michael Pitt, The Dreamers) mansion. In another, he makes cereal. Then he sits on a bench for awhile. Or mumbles dialogue to a Yellow Pages ad salesman played by a real-life Yellow Pages ad salesman. Or gradually collapses while watching a Boyz 2 Men video. Meanwhile, Blake's parasitical hangers-on are slightly more animated, occupying his chilly house and clearly on their way to becoming as existentially destitute as he.

Sonic Youth's Kim Gordon appears, pretty much reprising an interventionist role she must have played with the real-life Cobain, but this rock star is far beyond rescuing from the brink. Later, when Blake ventures into town to see a punk show, he is cornered by an acquaintance played by Harmony Korine, who tells him a hilarious story about playing Dungeons and Dragons with Jerry Garcia. Where the accumulation of small moments like these don't add up to much drama, they create a pervading sense of dread and sad inevitability. In his life, Cobain railed against all that was phony and hyped; by crafting a visual poem resolutely defiant of rock star spectacle, Van Sant honors the late singer as sincerely as he can, by keeping it real.

Born into Brothels

Born into Brothels is an inspiring look at the transformative journey of a group of extraordinary children in Calcutta’s red light district. Voted Best Documentary by the National Board of Review and the Los Angeles Film Critics Association. Born into Brothels, which was produced and directed by New York based filmmakers Zana Briski and Ross Kauffman, also garnered over 20 major film festival awards including the Audience Award at the Sundance Film Festival and the Best Documentary Award at the Seattle International Film Festival.




A tribute to the resiliency of childhood and the restorative power of art, Born into Brothels is a portrait of several unforgettable children who live in the red light district of Calcutta where their mothers work as prostitutes. Zana Briski, a New York based photographer, gives each of these youngsters a camera and teaches them how to take pictures, simultaneously causing them to look at their world with new eyes. Together with Ross Kauffman, Briski captures the magical way in which beauty can be found in the most unlikely of places and how a bright and promising future becomes a possibility for children who previously had no future at all.

Touching and heartfelt, yet devoid of sentimentality, Born into Brothels defies the tear-stained tourist snapshot of the global underbelly. Briski spent years with these children and became a part of their lives. Their photographs are prisms into their souls, rather than anthropological curiosities, and a true testimony to the power of the indelible creative spirit.

Encounters at the End of the World

Werner Herzog is a master filmmaker. Stretching back decades, genres, languages, styles and scope, he continues to be a pioneering creative force. Encounters at the End of the World is the newest reminder of his skill, and joins the growing list of ecologically/environmentally centered documentaries gracing us, the most famous being Davis Guggenheim/Al Gore's An Inconvenient Truth.




Herzog's Encounters is a somewhat meandering trip to the Southernmost place on Earth, inspired by footage of Antarctica's marine world taken by a friend of his. From the early images of crammed passengers on a cargo plane to the buckethead testing of what to do to get to the outhouse in a blinding blizzard to absolutely stunning footage of underwater life to a wayward penguin's seemingly suicidal venturing into mountainous country, Herzog has fashioned together a commentary on life in one of our harshest environments and the quality and experience of what it is like. An ethereal, primal musical score accompanies the picture, which is narrated by Herzog, like his fabulous Grizzly Man, but more muted and ponderous.

But the film in not merely a Discovery Channel opportunity to remind us of the staggering beauty that rests so far away, so deep and unhospitable. Though the Discovery Channel produced or funded it, Herzog infuses, through interviews of people who find themselves shaken down to this vagabond paradise, a philosophical questing that appears both wonderfully progressive and positive, to his own harsh expression of human futility.

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Next World - Future Life On Earth

What will our future look like? Floating cities, flying to work and traveling in cars capable of operating underwater? And how will technology advance to make use of our natural resources to help feed our growing population in such areas as food, water and electricity?




The era of smog-filled skies will be over, because fewer of us will be driving cars. There will no longer be the use for cars and roads as we'll be piloting environmentally friendly personal vehicles between cities and under the seas. And we will never be lost again thanks to GPS-driven virtual mapping. Then again, with teleportation we will not need to travel at all.

And, best of all, we'll all have more time to enjoy the astounding advances of our near future, because we'll all be living longer. A lot longer. Find out what we can expect to see in the future in this well produced documentary.

Deliver Us From Evil

A devastating investigation into the pedophilia scandals tearing apart the Catholic Church, Deliver Us From Evil begins by looking into one priest, Father Oliver O'Grady, who agreed to be interviewed by journalist/filmmaker Amy Berg. O'Grady's genial calm is at first ingratiating, until he begins to describe his crimes with an unsettling sociopathic detachment.




But O'Grady's blithe interview is only half of the story, as the documentary also unveils how church superiors covered up O'Grady's crimes and shuffled him from diocese to diocese in northern California, finally placing him in an unsupervised position of authority in a small town, where he sexually assaulted dozens of children; the video deposition of Los Angeles Cardinal Roger Mahoney is a grotesque portrait in brittle denial.

What makes Deliver Us From Evil crucial viewing, however, are the remarkable interviews with a few of the victims (now adults) and their parents, whose stories are wrenching and riveting. With the support of a priest seeking to reform the church, two of the victims actually go to the Pope, seeking some form of help in addressing O'Grady's crimes. This stunningly potent documentary combines raw feeling with lucid and persuasive discussions of the reasons for--and disturbing breadth of this crisis within the Church.